tag:blogger.com,1999:blog-1491977602886754039.post2277058636453377347..comments2014-05-19T04:16:16.488+03:00Comments on Symbolism and Bela Bartok's Bluebeard's Castle: "Bluebeard's Castle" by Sandor Veresshandehttp://www.blogger.com/profile/08987970788964044365noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-1491977602886754039.post-7238258560622156672010-05-06T03:23:05.370+03:002010-05-06T03:23:05.370+03:00I'm really sorry I saw your question just now....I'm really sorry I saw your question just now... Usage of symbols is not new with Bartok as you know. There was Wagner just before Bartok's period. But this kind of symbolist approach is not special to Bartok. First and according to some people greatest symbolist opera is Debussy's Pelias and Melisande. I think you can look at it also if you are interested in this topic.handehttps://www.blogger.com/profile/08987970788964044365noreply@blogger.comtag:blogger.com,1999:blog-1491977602886754039.post-41846520217716104612010-03-25T00:38:03.439+02:002010-03-25T00:38:03.439+02:00Hi Hande, I wonder that symbolism in Opera is spe...Hi Hande, I wonder that symbolism in Opera is special to Bartok or are there other examples of symbolist opera? IGonca Görsevhttps://www.blogger.com/profile/06156860600600641378noreply@blogger.com